John Speed
Decorative map of Italy, 1676
15 1/2 x 20 1/2 in
39 x 52 cm
39 x 52 cm
IT3466
Italia John Speed's exquisite map of Italy embellished with miniature city views along the upper border and costumed figures on both sides. Verona, Naples, Venice, Rome, Genoa, and Florence...
Italia
John Speed's exquisite map of Italy embellished with miniature city views along the upper border and costumed figures on both sides. Verona, Naples, Venice, Rome, Genoa, and Florence are the cities depicted, reduced from larger views by Braun & Hogenberg. The costumed figures include the Pope, the Doge of Venice, as well as wealthy Neapolitans, Florentines, Genoans, and Milanese. The coats of arms of Corsica, Sardinia, Venice, and the Papal States are interspersed as well.
John Speed was the most prominent and respected English map maker of the 17th century. He produced the first ever atlas of the world in English. It was attached as a supplement to his British county atlas and collectively the whole work was known as "Theater of the Empire of Great Britaine and a Prospect of the Most Famous parts of the World". This map, therefore, is the first English atlas map of Italy.
Although his atlas was intended for the English market, the maps were engraved and prepared in Amsterdam as there were no engravers with sufficient skills to do the work in England at the time. As a result, the map is heavily influenced by the Dutch style, especially with the inclusion of the sumptuous illustrated borders, generally only found on Dutch maps. The quality of the engraving is stunning, far superior to any other English maps of the period and on par with the finest Dutch Golden Age maps.
One of the most endearing characteristics of this map is the charming 17th-century description of Italy printed on the reverse of the map in English [image available upon request]. It gives a rather dubious history of the country all the way back to Noah, and also describes each of the city states, their industries, and their customs, often in quite an amusing fashion.
John Speed’s striking maps are highly collectible, and continue to be as appealing to collectors today as they were to Speed’s contemporaries.
Bassett and Chiswell [1676] edition. Strong impression.
John Speed's exquisite map of Italy embellished with miniature city views along the upper border and costumed figures on both sides. Verona, Naples, Venice, Rome, Genoa, and Florence are the cities depicted, reduced from larger views by Braun & Hogenberg. The costumed figures include the Pope, the Doge of Venice, as well as wealthy Neapolitans, Florentines, Genoans, and Milanese. The coats of arms of Corsica, Sardinia, Venice, and the Papal States are interspersed as well.
John Speed was the most prominent and respected English map maker of the 17th century. He produced the first ever atlas of the world in English. It was attached as a supplement to his British county atlas and collectively the whole work was known as "Theater of the Empire of Great Britaine and a Prospect of the Most Famous parts of the World". This map, therefore, is the first English atlas map of Italy.
Although his atlas was intended for the English market, the maps were engraved and prepared in Amsterdam as there were no engravers with sufficient skills to do the work in England at the time. As a result, the map is heavily influenced by the Dutch style, especially with the inclusion of the sumptuous illustrated borders, generally only found on Dutch maps. The quality of the engraving is stunning, far superior to any other English maps of the period and on par with the finest Dutch Golden Age maps.
One of the most endearing characteristics of this map is the charming 17th-century description of Italy printed on the reverse of the map in English [image available upon request]. It gives a rather dubious history of the country all the way back to Noah, and also describes each of the city states, their industries, and their customs, often in quite an amusing fashion.
John Speed’s striking maps are highly collectible, and continue to be as appealing to collectors today as they were to Speed’s contemporaries.
Bassett and Chiswell [1676] edition. Strong impression.
